atom04:'''References'''
Line 16: | Line 16: | ||
SpaceLapse 2003 | SpaceLapse 2003 | ||
− | Satisfied that digital video had been able to express different socio-spatial relations with a street through Places of Difference, the author worked with a graduate to develop another three minute short movie that explored socio-temporal relations with space. | + | |
+ | Satisfied that digital video had been able to express different socio-spatial relations with a street through Places of Difference, | ||
+ | the author worked with a graduate to develop another three minute short movie that explored socio-temporal relations with space. | ||
Using time lapse technology, each shop along a small part of Mutley Plain was manipulated in post-production to portray how many people visit it on a daily basis. | Using time lapse technology, each shop along a small part of Mutley Plain was manipulated in post-production to portray how many people visit it on a daily basis. | ||
By playing back each shop’s time lapse at different speeds, according to its popularity, the collective image was of the street as it changed over time. | By playing back each shop’s time lapse at different speeds, according to its popularity, the collective image was of the street as it changed over time. |
Revision as of 12:54, 14 September 2011
The Moodwall
The first Moodwall was opened in Amsterdam under intense public interest.
The Mood Wall is a 24 meters long wall on which moving images are projected.
If someone moves along the wall, it will react with light, color and movement through cameras that use special software of 2500 LED lamps control.
This is done through interactive programming, with a dark Moodwall pedestrian overpass into a special entrance for the Amsterdamse Poort shopping.
SpaceLapse 2003
Satisfied that digital video had been able to express different socio-spatial relations with a street through Places of Difference, the author worked with a graduate to develop another three minute short movie that explored socio-temporal relations with space.
Using time lapse technology, each shop along a small part of Mutley Plain was manipulated in post-production to portray how many people visit it on a daily basis.
By playing back each shop’s time lapse at different speeds, according to its popularity, the collective image was of the street as it changed over time.