atom11:Findings
| Line 2: | Line 2: | ||
| − | [[File:MdV-doorbell.jpg| | + | [[File:MdV-doorbell.jpg|200px]] |
| − | [[File:MdV exterior.jpg| | + | [[File:MdV exterior.jpg|200px]] |
| + | [[File:L bay.jpg|200px]] | ||
| + | [[File:3axes.jpg|200px]] | ||
| + | [[File:Hierarchy of space.jpg|200px]] | ||
| + | [[File:Park guell analysis.jpg|200px]] | ||
| + | [[File:Performacestimulation.jpg|200px]] | ||
| + | [[File:L cave.jpg|200px]] | ||
| + | [[File:Response of a place.jpg|200px]] | ||
| + | [[File:Senses.jpg|200px]] | ||
| + | [[File:L inside.jpg|200px]] | ||
| + | [[File:Sociopetal space.jpg|200px]] | ||
| + | [[File:L peninsula.jpg|200px]] | ||
---- | ---- | ||
Revision as of 19:11, 11 October 2011
Chareau's Maison de Verre blurs the boundary between private residence and doctor's office
Passillion (link is in French)
Based on the theme of passion, this poetic project attempts to address the meeting, marriage and separation of a French art teacher (the client) and her late husband. The follie, as the function describes, is located on the client’s property in Giverny, France. Situated in the woods but overlooking an expansive hay field, the project responds to certain conditions of intimacy that are embedded in our subconscious.
This one small project actually embodies many examples from Alexander’s Pattern Language, including: [vertical] intimacy gradient, entrance room, a room of one’s own, and hierarchy of open space (referring to the siting).
